Brutalismus 3000 Are Turning Techno On Its Head
Brutalismus 3000 is a new electronic act that brutally illuminates Berlin from the 90s Brutalismus 3000, the modern techno scene with fun and "tailless", horror and 9/11, tholeimen, dark, dark, tholeimen. It is called disturbing the situation. Hide, "Hide") Blood Drinking Victoria Vasiliki Daldas and Theo Zetner bring an unnecessary sick spirit to the slow techno scene.
Or if they weren't so cute. Daldas and Zeitner They met in a bar in Neukölln, southeast of Berlin, at 2 am in 2018. While celebrating, Zeitner receives a Tinder message about a new match she wants to meet. They barely begin to exchange pleasantries, but she suddenly agrees to meet for the first time.
"I was like, 'Do you want to meet us?'" Daldas said. i have. "Then he came in and I saw this handsome man ordering vodka and soda. At first we spoke in English. . . ."
"...I thought it was Russian..." Zeitner said.
"...Then I heard him say 'vodka soda,' and I immediately knew he was German," Deldas says.
"I was a little scared," Zeitner said. “But he was still soft.
"Mysterious!" said Daldas with a smile.
Daldas and Zeitner wore matching fluorescent yellow jumpsuits (presumably Balenciaga ) and lamented the current techno scene, particularly in Berlin, in one of two interviews with Berlin Music Magazine earlier this year . "They take it very seriously and say, 'Techno is a revolution,'" Zeitner said. “I'm not like that… I'm not like that. Going to Bergan isn't a revolution...the techno scene is pretty bland.
When they welcomed me into their new duplex apartment the day after they moved to Newcoln, they were simply charming, showing a rapport that matched their musical chemistry, finished off each other's lines and smiled warmly as their manager Cosmopolitan served them with care. The place is still empty, with a few chairs and coffee tables, but it's on the top floor of a modern-looking building and has lots of sunlight and a view over the leafy streets of Berlin's lively neighborhood.
Even if they condemn techno. Revolutionary features, marked the beginning of a sea change in electronic music. Created after years of lean, gritty techno mostly by white straight men in black and white t-shirts, Brutalismus 3000 lands somewhere between raucous and loud, Euro-trance, 2000s electroclash and all-American EDM. Dressed in colorful costumes, they sing to the queer, female community of the Daldas Berlin club scene ("These are your children," Zeitner tells her).
They represent conflict. They may sound cool, but they cover most of the mainstream, showing their love for pop stars like The Weeknd and EDM DJs like David Guetta. His music is irreverent and full of references: browse his catalog and you'll find nods to Kraftwerk, Iggy Pop, Soundcloud rappers, David Cronenberg movies and vampire superheroes. They say the techno scene doesn't sway them, but they cling to the noise like a teenager talking on the phone.
And despite its brutal power, the music is often beautiful, soft in its druggy melodies and moving in its subtle expressions of the world. Here's a paradox to consider: does Brutalismus 3000 seem so cool and uncompromising, a symbol of Berlin's dark underbelly that rejects mainstream society and worships the devil in its spare time? Or are they still human?
"You could say we worship Satan," Zeitner said.
On this first day, Zeitner and Daldas talk about horror movies and hardcore dance music like DAF (Deutsch Americanische Freundschaft), a 70-80s electro-punk duo from Düsseldorf and, among other things, boogie-style groovetsolronics and moviesolronics. Zeitner started making music in garage bands after seeing his friends doing minimal techno. He decided that he would learn to do this just to show that it was nonsense. Before that, Daldas rarely sang unless it was in a school play, and then he forgot the lines.
They started recording together less than a year after they met. Zeitner produced a deliciously hellish beat and Daldas sang into a distorted microphone in a mixture of German, English and Slovak. Regardless of your proficiency in these languages, it's challenging to get a clear understanding of their lyrics in passages that suggest a distorted and ambiguous view of the city they live in and the world they were born into. Mysterious, vaguely political and, frankly, if it's a genre he's usually put in, Daldas is like Death Grips frontman MC Ride to hip-hop, you can't understand all the noise, but you can't stop listening.
In the year In August 2020, Brutalismus 3000 released their debut single "Horimé" ("We're On Fire" in Slovak) in a world plagued by plague. By the time the clubs reopened, they had several singles and two EPs to their name, as well as a large following online, receiving attention from various Tiki Talk kids. His first real show in Paris in 2021 attracted 2,000 people. Titles from his earlier work include "No Sex With the Police", "Satan Was a Baby Boomer" and "Die Umwelt Macht Bum" ("The Environment Goes Boom"). On several of their album covers, the band can be seen with blood dripping from their lips.
In February, they recorded the soundtrack to Rick Owens' "Reve Sarcophagus" for the Moncler release, and in April released their debut album , which peaked at number 11 on the German pop charts. Between playful trumpets, trance riffs, a swinging beat, and the occasional jungle beat, Daldas unleashes songs like " We'll Drink Your Blood and Sit on Your Head." He says he writes words and ideas on his phone when they come to him, “and it's total chaos. So Theo helped me get cleaned up. Zeitner writes songs for his partner, including the incredible Ultrakanst finale "Gewalt Gewalt". "This town loves everybody / and everybody laughs," says Daldas in German. Then: "And 20 people in the corner / violence, violence."
Like much of his music, he paints a picture of Berlin as a free and loving place surrounded by an air of restless confusion. In the year In 2022's "Romantica", Daldas paints a sweet romance in the dark atmosphere of a Berlin nightclub: "Fukfit Bang, I'm going to the club / I want to kiss my skin boy ". But in 'Safe Space' he aims for a club that claims to be safe for its customers when this is not the case.
"Basically everyone we know is on drugs or something," says Zeitner.
"They drug me twice," Daldas said. "Nothing terrible happened, but... you say it's a safe place and then you see the lineup (of DJs) and..." is a comment on parties.
"... There are a lot of accused rapists," says Zetner, "or maybe it's a gay party where mostly straight men dress up as gay men and go out to harass the women. That's what we saw and we just put the song on it. ... We see a lot of people have problems here. Mental illness is on the rise here because it's such a stressful and demanding city.
"I felt at home for the first time when I arrived in Berlin," says Daldas. She grew up in rural Bavaria, southern Germany, with a Greek father and a Slovak German mother, in a conservative environment she "couldn't really fit in". She always had a warm relationship with her parents, but she left home at 18 and says, "We've never seen her so happy."
Zeitner grew up in the small Bavarian town of Coburg and describes her upbringing as "upper middle class". When he was diagnosed with ADHD at age 12, "he had all kinds of problems," he says. "I think I was very restless as a child. But my childhood was very happy and safe. I was very lucky.
Zeitner and Daldas often say things that contradict the shy and tentative personalities of early electronic musicians.
"Growing up, we both knew we were going to be famous," Daldas said.
"Yeah, that's all I wanted," Zeitner added. "It's fun. You could put it on Idol. They haven't hit the trails yet, but a neighbor recognized them when they were going somewhere new, which freaked them out. They're talking to me about a month off after a 30-day European tour. Even though they've been flying most of the week, Zeitner is still scared to fly.
Since his recent 27th birthday, Zeitner has been thinking about Birdman , in which Michael Keaton's character sits behind George Clooney in a storm and can't imagine that if the plane crashes, Clooney's face, not his, will be in the paper the next day. "It's a shame to die at 27," Zeitner said. Who am I? Am I in this club? I'll die at 28, then join a new club.
Daldas doesn't specify his age, but Brutalismus 3000 fans are definitely Gen Z. Their latest tour was open to anyone over 16, and they estimate the average age at their shows is 18 or 19. "They're very young," Zeitner said. "People hate young people for what they love, but I love it. The young generation is always the best generation."
Zeitner says that millennials remember a pre-internet childhood defined by gaming races and Tony Hawk pro skateboarders . But it is easy to understand why young people love them. His favorite lyrical themes include David Attenborough's atmospheric sampler and the 2022 song "3ISBÄR", in which Daldas sings the song " Eisbär'n müssen Weins " ("Pould Weinarry"), referencing Swiss new wave band Grozon's 1981 cult hit "Eisbär".
"To call it activism would be too strong," says Daldas. But it's really fighting for our generation or the younger generation, and it really affects us. Zeitner points out that flying around the world for different gigs every week isn't sustainable, but they hope their vibe resonates with their audience.
However, they show their age in the track "CRY BÉBÉ". Among references to the end of the world and Woodstock 99, Daldas sings (in German): "Two buildings, two planes / Never the same again." “I remember sitting in front of the TV,” he says, recalling 9/11. “I think what's happening now is small. We celebrate this and that and then read the news and what is happening. It's a conflict. And then read it and think about what you can do to change it."
"Of course, it's kind of a tease," Zeitner added. “But it's very neutral. It's not very exciting, but having a dance floor is not unusual for you. It's something we've always loved more than the dance floor."
All this, rejecting the inferiority of ubiquitous electronic music, appealing to problematic queues in clubs, "more" than a dance show, equals the techno revolution, doesn't it? "I wouldn't go far there," Zeitner said. But it's really too late. I think it's amazing that we're in such a unique place in our movement. In the style of clubs we have made, all the courts of clubs, but with a completely different attitude. It's amazing that we were the first to think about it. "
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